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A hearing at the court of Hue (Vietnam), reception of the French embassy, April 14, 1875

A hearing at the court of Hue (Vietnam), reception of the French embassy, April 14, 1875


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A hearing at the court of Hue (Vietnam), reception of the French embassy, April 14, 1875

LSE4331090 A hearing at the court of Hue (Vietnam), reception of the French embassy, April 14, 1875, drawing by J.Lavee, to illustrate the story eight days of embassy in Hue (Kingdom of Annam), by Mr.Brossard de Corbigny, lieutenant of the ship, attached to the mission. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection. by French School, (19th century); Private Collection; (add.info.: A hearing at the court of Hue (Vietnam), reception of the French embassy, April 14, 1875, drawing by J.Lavee, to illustrate the story eight days of embassy in Hue (Kingdom of Annam), by Mr.Brossard de Corbigny, lieutenant of the ship, attached to the mission. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.); Photo eLeonard de Selva; French, out of copyright

Media ID 23321190

© Leonard de Selva / Bridgeman Images

Indochina International Relations Royal Palace Viet Nam Vietnam Vietnamese Asian Asian


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> Fine Art Finder > Artists > Emile Antoine Bayard

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EDITORS COMMENTS
This print captures a significant moment in history, showcasing a hearing at the court of Hue in Vietnam on April 14,1875. The image depicts the reception of the French embassy and was beautifully drawn by J. Lavee to illustrate Mr. Brossard de Corbigny's story titled "Eight Days of Embassy in Hue". This engraving was featured in Le tour du monde, directed by Edouard Charton in Paris. The scene showcases the grandeur and opulence of the royal palace, where members of Vietnamese aristocracy gather to meet with their French counterparts. The intricate architecture and traditional Asian elements add an air of elegance to this historical event. This photograph is part of the Selva Collection and offers a glimpse into international relations between France and Vietnam during that time period. It serves as a reminder of the complex dynamics between different cultures and societies. The black-and-white aesthetic adds a timeless quality to this artwork, emphasizing its historical significance. Through this image, we can appreciate both the beauty of Vietnamese tradition and architecture while also acknowledging France's influence on Indochina during that era. Overall, this print provides us with a valuable visual representation of an important diplomatic encounter from 19th-century Vietnam, offering insight into cultural exchange and international diplomacy at that time.

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