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Departure for the scaffold of Madame Dubarry (Countess Jeanne du Barry ou Becu
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Departure for the scaffold of Madame Dubarry (Countess Jeanne du Barry ou Becu
ELD5620134 Departure for the scaffold of Madame Dubarry (Countess Jeanne du Barry ou Becu, 1743-1793) in 1793 - (engraving) 1846 by French School, (19th century); (add.info.: Engraving from " Les prisons de Paris" by Alhoy et Lurine); Photo eThe Holbarn Archive; Photo eIsadora; French, out of copyright
Media ID 23340382
© The Holbarn Archive Isadora / Bridgeman Images
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EDITORS COMMENTS
This engraving, titled "Departure for the scaffold of Madame Dubarry" takes us back to the tumultuous era of the French Revolution in 1793. The image depicts Countess Jeanne du Barry ou Becu, famously known as Madame Dubarry, on her final journey towards the guillotine. The artist from the 19th century French School skillfully captures the somber atmosphere surrounding this historical event. With intricate details and delicate lines, they convey a sense of both tragedy and defiance in Madame Dubarry's expression. As we gaze upon this print, we are transported to a time when France was engulfed in political turmoil and social upheaval. The French Revolution brought about radical changes that affected every aspect of society, including its aristocracy. Madame Dubarry herself was no stranger to controversy. As one of Louis XV's mistresses, she enjoyed great influence at court but ultimately fell victim to revolutionary fervor. This image serves as a reminder of how power can be fleeting and how even those who once held immense sway could meet such a tragic fate. Through this powerful engraving, we are invited to reflect on the complexities of history and human nature itself. It is an evocative piece that encapsulates both the terror and intrigue associated with one of history's most significant revolutions - an enduring testament to art's ability to capture profound moments in time.
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