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Denny Bettis, Choreographer to the Black and White Minstrels in their early days
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Denny Bettis, Choreographer to the Black and White Minstrels in their early days
Denny Bettis, Choreographer to the Black and White Minstrels in their early days and to such stars a Arthur Haynes, Dickie Henderson, Frankie Vaughan, decided to retire from show biz, and has just taken a part a stones throw from the Victoria Palace where the Minstrels are at present busy rehearsing a new show. So what was more natural Denny opened at the Kings Arms in Buckingham Palace Road, that TV Toppers and head Minstrel Keith Leggett from the supporting cast. Denny gets down to the business of opening up the pub helped by TV Topper Eleanor Bradburn and the legs of Topper Marilyn Moore. November 1969 Z11031
WATFORD
Mirrorpix
London
Greater London
England
Media ID 21267002
© Mirrorpix
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EDITORS COMMENTS
Denny Bettis, the renowned choreographer who worked with iconic acts like the Black and White Minstrels, Arthur Haynes, Dickie Henderson, and Frankie Vaughan in their early days, has bid farewell to showbiz. Seeking a new chapter in his life after retiring from the limelight, Denny found himself drawn back to familiar territory - just a stone's throw away from where the Minstrels were currently engrossed in rehearsals for their latest production at Victoria Palace. In a twist of fate that seemed almost predestined, Denny decided to embark on an exciting venture by opening up his own establishment at the Kings Arms on Buckingham Palace Road. The pub became an instant hit among locals and visitors alike as it offered a unique blend of entertainment and humor reminiscent of Denny's illustrious career. Assisting him in this new endeavor were none other than TV Toppers Eleanor Bradburn and Marilyn Moore. With their infectious energy and captivating dance moves, they added an extra touch of glamour to every evening spent at the Kings Arms. This photograph captures Denny Bettis immersing himself in his newfound passion while surrounded by laughter-filled moments shared with friends old and new. It serves as a delightful memento from November 1969 when dreams converged within those walls - dreams that had once graced grand stages but now found solace amidst jovial conversations over pints of ale.
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