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Virgin and Child with Saints and Donors, c. 1515. Creator: Giovanni Battista Cima da Conegliano
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Virgin and Child with Saints and Donors, c. 1515. Creator: Giovanni Battista Cima da Conegliano
Virgin and Child with Saints and Donors, c. 1515. This work reinterprets the most common subject in Renaissance art--the Madonna and Child. The tender relationship of mother and son spoke to Marys role as intercessor for humanity, sparked an empathetic relationship with Christ, and helped invest Christian practice with tenderness and compassion. Works at this scale were usually for private devotion, but distinct styles and refined craftsmanship were also appreciated for their artistry and creativity. Here the donors occupy the same landscape as the holy figures, emphasizing how Marys compassion extends into our world. This painting was never finished, visible in Saint Anthony Abbots beard and the female saints empty hand, which makes her identity impossible to pin down
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Media ID 19647089
© Heritage Art/Heritage Images
Giovanni Battista Cima Da Conegliano Venice Workshop
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This print showcases Giovanni Battista Cima da Conegliano's "Virgin and Child with Saints and Donors" created around 1515. In this Renaissance masterpiece, the artist reimagines the iconic subject of the Madonna and Child, infusing it with profound tenderness and compassion. Mary's role as an intercessor for humanity is beautifully depicted through her tender relationship with Christ, evoking empathy in viewers and imbuing Christian practice with a sense of warmth. Typically intended for private devotion, works of this scale were highly admired for their refined craftsmanship and distinct styles. What sets this painting apart is how the donors are placed within the same landscape as the holy figures, emphasizing Mary's boundless compassion that extends into our world. Interestingly, this artwork remains unfinished, evident in Saint Anthony Abbot's incomplete beard and a female saint whose identity cannot be determined due to her empty hand. Despite these imperfections, they add an intriguing layer to the painting's narrative. Preserved at The Cleveland Museum of Art, this oil on wood masterpiece by Giovanni Battista Cima da Conegliano transports us back to 16th-century Italy. Its rich heritage artistry captivates viewers even today by showcasing not only religious devotion but also artistic creativity at its finest.
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