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An Allegory of Vanity, 1651 (oil on oak panel)
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An Allegory of Vanity, 1651 (oil on oak panel)
7082180 An Allegory of Vanity, 1651 (oil on oak panel) by Bergh, Matthijs van den (1618-87); 20.6x15.9 cm; North Carolina Museum of Art, Raleigh, USA; North Carolina Museum of Art
Media ID 25155046
© North Carolina Museum of Art / Bridgeman Images
7 Deadly Sins Allegoric Pretension Pride Proud Seven Deadly Sins Vanity
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An Allegory of Vanity, 1651
EDITORS COMMENTS
is a captivating oil painting by Matthijs van den Bergh that invites viewers into a world of introspection. In this thought-provoking artwork, the artist skillfully portrays the concept of vanity through an allegorical depiction. The central figure, a woman adorned in luxurious garments and jewelry, exudes an air of pride and pretension. Her gaze fixated on her reflection in a mirror symbolizes the self-absorption often associated with vanity. Surrounding her are various objects representing materialistic desires and indulgence. Van den Bergh's meticulous brushwork brings to life the intricate details of each element within the composition. The play of light and shadow adds depth to the scene, enhancing its dramatic effect. This painting serves as a reminder of our human inclination towards vanity and how it can lead us astray from more meaningful pursuits. It prompts us to reflect upon our own actions and question whether we prioritize superficial appearances over genuine substance. As we contemplate "An Allegory of Vanity" we are reminded of the timeless relevance of this theme throughout history. Van den Bergh's masterful execution captivates our attention while encouraging us to delve deeper into our own feelings and emotions surrounding notions such as pride, beauty, and desire. Displayed at the North Carolina Museum of Art in Raleigh, USA, this remarkable artwork continues to inspire contemplation about one's values in an ever-changing world obsessed with appearances.
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