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Interior of St. Giless Church, Camberwell, 1844. Creator: Stephen Sly

Interior of St. Giless Church, Camberwell, 1844. Creator: Stephen Sly


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Interior of St. Giless Church, Camberwell, 1844. Creator: Stephen Sly

Interior of St. Giless Church, Camberwell, 1844. Worshippers at a newly built church in south London, with the font in the foreground. The chancel is fitted up with open stalls, with elaborately carved poppy heads, &c. of oak down each side. From " Illustrated London News", 1844, Vol V

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Media ID 20551521

© The Print Collector/Heritage Images

Arched Arches Camberwell Church Service Font Gothic Revival Neo Gothic Pews Seating Sly Stephen Southwark St Giless Church Stephen Stephen Sly Victorian Gothic Archway


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > England

> Architecture > Religious

> Architecture > Styles > Gothic Architecture

> Architecture > Styles > Neo-Gothic Architecture

> Architecture > Styles > Victorian Architecture

> Arts > Artists > W > Stephen White

> Europe > United Kingdom > England > London > Boroughs > Southwark

> Europe > United Kingdom > England > London > Towns > Camberwell

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Gothic architecture


EDITORS COMMENTS
This print takes us back to the year 1844, immersing us in the serene atmosphere of St. Giles's Church in Camberwell, South London. Stephen Sly, the talented creator behind this image, beautifully captures a moment during a church service at this newly built place of worship. As our eyes wander through the frame, we are drawn to the intricately carved font standing proudly in the foreground. The chancel is adorned with open stalls featuring exquisitely crafted poppy heads made of oak on each side. These architectural details reflect the Gothic Revival style that was prevalent during this era. The worshippers gathered here seem engrossed in their religious devotion as they occupy wooden pews throughout the interior. This snapshot offers a glimpse into Victorian society's deep connection with Christianity and their commitment to attending church services. Stephen Sly's engraving originally appeared in "Illustrated London News" adding historical significance to its artistic value. Through his lens, he transports us back to a time when religion played an integral role in people's lives and showcases how architecture and design were used to create sacred spaces for communal worship. This remarkable photograph print serves as a testament not only to Stephen Sly's skill but also as a window into 19th-century Britain and its rich cultural heritage.

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