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Finette, 1859, (1904). Artist: James Abbott McNeill Whistler

Finette, 1859, (1904). Artist: James Abbott McNeill Whistler


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Finette, 1859, (1904). Artist: James Abbott McNeill Whistler

Finette, 1859, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

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Media ID 14969152

© The Print Collector

Adam And Charles Adam And Charles Black Ja Mcneill Whistler James Abbot Mcneill Whistler James Abbott Mcneill James Abbott Mcneill Whistler James Mcneil Whistler James Mcneill James Mcneill Whistler Menpes Mortimer L Mortimer L Menpes Mortimer Luddington Menpes Mortimer Menpes Whistler Whistler As I Knew Him


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Passerines > Whistlers > Related Images

> Arts > Artists > C > James Charles

> Arts > Artists > James Whistler

> Arts > Artists > M > Mortimer Menpes

> Arts > Artists > Related Images

> Arts > Artists > W > Charles White

> Arts > Artists > W > James Abbott McNeill Whistler

> Arts > Artists > W > James McNeill Whistler

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings


EDITORS COMMENTS
This photo print, titled "Finette, 1859" by James Abbott McNeill Whistler, transports us back to the enchanting world of the 19th century. The image captures a lady standing outdoors in a full-length dress, exuding grace and elegance. Her gaze is directed away from the camera, adding an air of mystery to her persona. The monochrome tones enhance the timeless quality of this portrait, allowing us to appreciate every intricate detail. Whistler's masterful use of light and shadow creates a striking contrast that adds depth and dimension to the composition. Published in "Whistler As I Knew Him" by Mortimer Menpes in 1904, this print serves as a testament to both artists' collaboration and their shared passion for capturing beauty through visual artistry. It offers viewers a glimpse into Whistler's artistic style and his ability to convey emotion through portraiture. As we admire this remarkable piece from the early 20th century, we are reminded of the enduring power of photography. Its simplicity transcends time and allows us to connect with historical moments like these. This particular photograph showcases not only Whistler's talent but also Menpes' skill as a collector who preserved such invaluable works for generations to come. In conclusion, Finette stands before us as an emblematic figure from another era—a symbol of grace frozen in time—an exquisite reminder of our rich artistic heritage.

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