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Joanna Douglas in The Trial Sermon, 1862 (wood engraving

Joanna Douglas in The Trial Sermon, 1862 (wood engraving


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Joanna Douglas in The Trial Sermon, 1862 (wood engraving

5938044 Joanna Douglas in The Trial Sermon, 1862 (wood engraving, black carbon ink on machine made wove paper) by Whistler, James Abbott McNeill (1834-1903); 15.3x11.4 (image); 16.5x12.8 (sheet) cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Dalziel family, printmaker); eFitzwilliam Museum; American, out of copyright

Media ID 22327630

© Fitzwilliam Museum / Bridgeman Images

Black Dress British School James Abbott Mcneill Whistler Monochrome Sermon Whistler Wood Engraving Dalziel Family


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> Animals > Birds > Passerines > Whistlers > Related Images

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> Arts > Artists > W > James Abbott McNeill Whistler

> Arts > Artists > W > James McNeill Whistler

> Arts > Artists > W > James Wood

> Arts > Minimalist artwork > Monochrome artwork > Black and white artwork

> Arts > Minimalist artwork > Monochrome artwork > Fine art

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> Historic > Historical fashion trends > Victorian fashion trends


EDITORS COMMENTS
This black and white wood engraving, titled "Joanna Douglas in The Trial Sermon, 1862" showcases the remarkable talent of James Abbott McNeill Whistler. The image features Joanna Douglas, elegantly dressed in a Victorian black gown, seated with poise and grace during a sermon. Whistler's attention to detail is evident in every stroke of his engraving technique. The intricate lines and shading bring depth to Joanna's figure, capturing her beauty and sophistication. The use of black carbon ink on machine-made wove paper adds a timeless quality to the artwork. The setting of the illustration appears to be an interior space, possibly a church or lecture hall. This creates an atmosphere that emphasizes the solemnity and importance of the trial sermon taking place. Joanna's composed posture suggests she is engrossed in deep contemplation or perhaps captivated by the speaker's words. As we admire this piece from the Fitzwilliam Museum at the University of Cambridge, it becomes clear why Whistler was regarded as one of America's most influential artists during the 19th century. His ability to capture not only physical likeness but also emotional depth makes this wood engraving truly exceptional. Through this print, we are transported back in time to witness a moment frozen forever – Joanna Douglas immersed in thought during The Trial Sermon. It serves as a reminder of both Whistler's artistic brilliance and our shared human experience across centuries.

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