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Drawing of plans for a castle, and of a nude figure, washed with Indian ink, c1472-c1519 (1883). Artist: Leonardo da Vinci
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Drawing of plans for a castle, and of a nude figure, washed with Indian ink, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of plans for a castle, and of a nude figure, washed with Indian ink, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]
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Media ID 14964006
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Annotation Da Vinci Jean Paul Jean Paul Richter Leonardo Leonardo Da Leonardo Da Vinci Leonardo De Vinci Richter Vinci Nudity
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EDITORS COMMENTS
This print showcases the intricate and visionary mind of one of history's greatest geniuses, Leonardo da Vinci. The image captures a drawing of plans for a majestic castle, meticulously detailed with architectural precision. Da Vinci's mastery in capturing every intricate detail is evident in this monochrome sketch washed with Indian ink. However, what truly sets this artwork apart is the inclusion of a nude figure amidst the grandeur of the castle plans. This juxtaposition between architecture and human form reflects da Vinci's multifaceted talents as both an artist and scientist during the Renaissance period. The black and white tones add depth to the composition, highlighting da Vinci's exceptional skill in shading and creating contrast. The annotation on the drawing reveals his meticulous handwriting, further emphasizing his attention to detail. Dating back to c1472-c1519 but printed in 1883 from "The Literary Works of Leonardo Da Vinci" this rare piece offers us a glimpse into Italy's rich artistic heritage. It serves as a testament to da Vinci's enduring legacy as an influential figure in art history. As we admire this remarkable print, we are transported back centuries ago when castles stood tall as symbols of power and fortification. Through da Vinci's artistry, we can appreciate not only his technical prowess but also his ability to capture beauty through both man-made structures and the human form.
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