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The imprint of the devils claw - "Compendium Maleficarum"
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The imprint of the devils claw - "Compendium Maleficarum"
XEE4148179 The imprint of the devils claw - " Compendium Maleficarum", deals with witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection by Anonymous; Private Collection; (add.info.: The imprint of the devils claw - " Compendium Maleficarum", deals with witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection); Stefano Bianchetti; out of copyright
Media ID 22297294
© Stefano Bianchetti / Bridgeman Images
Devil Occult Science Witchcraft
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This print showcases the intriguing imprint of the devil's claw, taken from "Compendium Maleficarum" by Francesco Maria Guazzo. This rare piece delves into the world of witches, their malevolence, and their enchantments. The anonymous owner of this private collection has graciously shared this historical artifact with us. The image portrays a girl standing alongside a devil and a human figure, symbolizing the dark forces at play in witchcraft. It offers a glimpse into occult science and the mysterious practices that have fascinated humanity for centuries. Engraved by Stefano Bianchetti in 17th century Italy, this artwork captures both beauty and darkness through its intricate details. The contrast between light and shadow adds depth to each element depicted – from the sinister presence of the devil to the enigmatic allure of the woman. As we explore this print, we are reminded of how ancient beliefs shaped our understanding of magic and sorcery. It serves as a reminder that there is still much about our world that remains unexplained. While appreciating Stefano Bianchetti's artistic talent in bringing these characters to life on paper, it is important to note that this caption does not endorse or promote any form of commercial use associated with this artwork. Instead, it encourages viewers to delve deeper into history's mysteries through art appreciation alone.
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