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The Arrest of Christ in the Gardens, 1618-20 (oil on canvas)
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The Arrest of Christ in the Gardens, 1618-20 (oil on canvas)
XIR36922 The Arrest of Christ in the Gardens, 1618-20 (oil on canvas) by Dyck, Anthony van (1599-1641); 344x249 cm; Prado, Madrid, Spain; (add.info.: El Prendimiento de Cristo; Jesus is depicted about to receive the kiss of Judas while Peter is about to slice off the ear of Malco, the High Priests servant, with his sword; van Dyck painted several versions of this composition, based on Venetian models; this version belonged to Rubens and after his death, it was acquired by King Felipe IV, who sent it to the Alcazar Palace in Madrid; ); Flemish, out of copyright
Media ID 12868510
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Arresting Betrayal Disciples Garden Of Gethsemane Kiss Of Judas Mount Of Olives Passion Philip Saint Peter Seizure Taking Torch
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The Arrest of Christ in the Gardens
EDITORS COMMENTS
is a powerful depiction of one of the most significant moments in Christian history. Painted by Anthony van Dyck between 1618 and 1620, this oil on canvas print captures the intense emotions and dramatic tension surrounding Jesus' arrest. In this scene, we witness Jesus standing at the center, about to receive the infamous kiss from Judas Iscariot, signaling his betrayal. Meanwhile, Peter can be seen ready to strike with his sword, aiming for Malco's ear - a futile attempt to defend his beloved teacher. Van Dyck masterfully portrays the chaos and confusion that unfolds in this pivotal moment. The use of vibrant colors and intricate details bring life to each character present - from disciples grappling with their own fear and disbelief to soldiers carrying out their duty without hesitation. This particular version of "The Arrest of Christ" was once owned by Rubens before being acquired by King Felipe IV. It now resides in Prado Museum in Madrid, Spain. Van Dyck's Flemish roots are evident through his skillful execution influenced by Venetian models. As we gaze upon this print, we are reminded not only of Jesus' sacrifice but also of humanity's capacity for both loyalty and betrayal. It serves as a timeless reminder that even amidst darkness and turmoil, faith can endure.
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