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Daedalus and Icarus from Unpublished Monuments of Antiquity (Monumenti antichi inediti) by Johann Joachim Winckelmann (1717-1768) after a bas-relief of Villa Albani in Rome, engraving, 1767

Daedalus and Icarus from Unpublished Monuments of Antiquity (Monumenti antichi inediti) by Johann Joachim Winckelmann (1717-1768) after a bas-relief of Villa Albani in Rome, engraving, 1767


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Daedalus and Icarus from Unpublished Monuments of Antiquity (Monumenti antichi inediti) by Johann Joachim Winckelmann (1717-1768) after a bas-relief of Villa Albani in Rome, engraving, 1767

Daedalus and Icarus from Unpublished Monuments of Antiquity (Monumenti antichi inediti) by Johann Joachim Winckelmann (1717-1768) after a bas-relief of Villa Albani in Rome, engraving, 1767 18th century, Biblioteca Nazionale Braidense (Library), archaeology

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Media ID 9500597

© DEA / A. DAGLI ORTI

1767 Assistance Column Father Illustration Techniques Making Mature Men Mythology Naked Semi Dress Two People Wall Wing Young Men Daedalus Icarus Johann Joachim Winckelmann


EDITORS COMMENTS
This print showcases the iconic mythological figures of Daedalus and Icarus, as depicted in Johann Joachim Winckelmann's "Unpublished Monuments of Antiquity". The engraving, created in 1767, beautifully captures the essence of this ancient tale. In the image, we see Daedalus and Icarus standing side by side against a wall adorned with intricate columns. Daedalus, portrayed as a mature man, is shown assisting his young son Icarus in preparing for their daring flight. Both figures are partially dressed and appear deep in concentration as they meticulously construct wings from feathers. The vertical composition adds to the dramatic effect of this scene while emphasizing the contrast between father and son. Daedalus stands tall and confident while imparting his wisdom to Icarus, who gazes up at him with admiration. The engraving skillfully brings out the details of each figure's physique and expression through delicate illustration techniques. It transports us back to ancient Rome where mythology thrived and legends were born. This remarkable artwork not only immortalizes an age-old story but also pays homage to Winckelmann's passion for archaeology. Preserved within Biblioteca Nazionale Braidense (Library), it serves as a testament to the enduring power of classical artistry. As we gaze upon this enchanting print, we are reminded of both the cautionary tale that warns against excessive ambition and hubris and our own fascination with timeless myths that

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