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Great Cameo of the Holy Chapel or Great Cameo of France depicting the apotheosis of Emperor Tiberius and Germanicus paying homage to emperor, Chalcedony
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Great Cameo of the Holy Chapel or Great Cameo of France depicting the apotheosis of Emperor Tiberius and Germanicus paying homage to emperor, Chalcedony
Roman civilization, 1st century A.D. Great Cameo of the Holy Chapel or Great Cameo of France depicting the apotheosis of Emperor Tiberius and Germanicus paying homage to emperor. Chalcedony
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Media ID 9472931
Archeological Artifact Bas Relief Chalcedony Female Likeness Glyptic Imperial Age Julius Claudius Age Laurel Wreath Respect Roman Emperor Animal Representation Tiberius Claudius Nero
EDITORS COMMENTS
This print showcases the Great Cameo of the Holy Chapel or Great Cameo of France, a remarkable piece of art from ancient Roman civilization. Carved in stunning chalcedony during the 1st century A. D. , this bas relief depicts the apotheosis of Emperor Tiberius and Germanicus paying homage to another emperor. The full-length carving is a testament to the respect and grandeur that characterized this ancient era. In this studio shot, we are presented with a front view of the artwork, allowing us to appreciate its intricate details and craftsmanship. The male and female likenesses portrayed on the cameo wear laurel wreaths, symbolizing their status as esteemed figures. No people are present in this image, emphasizing that it belongs to an era long past. The animal representations within this masterpiece add further depth and symbolism to its narrative. As we gaze upon this archeological artifact, we are transported back in time to witness an important moment in Roman history – specifically during Julius Claudius Age. With its vertical composition and rich historical significance, this glyptic marvel offers us a glimpse into imperial age Rome. This print serves as a reminder of our connection to ancient civilizations through art and craftmanship; it invites us to ponder upon our own place within history's vast tapestry.
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