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Five Good Emperors, Relief representing the Emperor Marcus Aurelius (Marcus Annius Verus, 121 - 180 A. D. ) pardons the defeated enemies, imperial age
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Five Good Emperors, Relief representing the Emperor Marcus Aurelius (Marcus Annius Verus, 121 - 180 A. D. ) pardons the defeated enemies, imperial age
Five Good Emperors, Relief representing the Emperor Marcus Aurelius (Marcus Annius Verus, 121 - 180 A.D.) pardons the defeated enemies, imperial age 2nd Century A.D. Italy, Rome, Museo Del Palazzo Dei Conservatori (Art Museum), Roman art
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Media ID 9453565
2nd Century Style Authority Centurion Circa 2nd Century Classical Style Holy Roman Emperor Horse Horseback Riding Marcus Aurelius Victory Animal Representation Archaeological Artifact
EDITORS COMMENTS
This print showcases a remarkable relief representing the Emperor Marcus Aurelius, one of the Five Good Emperors, who ruled during the imperial age in ancient Rome. The image captures a pivotal moment as Marcus Aurelius pardons his defeated enemies, symbolizing his benevolence and mercy. The sculpture depicts Marcus Aurelius on horseback, exuding authority and power. His commanding presence is enhanced by the centurion standing beside him. The vertical composition adds to the grandeur of this classical artwork. The horse itself is beautifully sculpted, emphasizing its strength and grace. This animal representation serves as a metaphor for victory and conquest that was central to Roman culture. Marcus Aurelius's likeness reflects his status as an esteemed ruler with deep humanistic values. Despite being a Holy Roman Emperor, he demonstrates compassion by forgiving those who opposed him in battle. Dating back to the 2nd century A. D. , this archaeological artifact exemplifies the enduring legacy of Roman artistry. Its classical style transports us back in time to witness an act of clemency from one of history's most influential leaders. This studio shot offers a close-up view that allows us to appreciate every intricate detail captured within this masterpiece. With no people present in the frame, our focus remains solely on Marcus Aurelius and his noble gesture towards reconciliation.
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