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Fiddler crab and angular crab
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Fiddler crab and angular crab
Fiddler crab, Gelasimus vocans 1, and angular crab, Goneplax rhomboides 2. Gelasimo di Marion, Gonoplace romboide. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieus Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence, Italy, 1837. Illustration engraved by Stanghi, drawn by Jean Gabriel Pretre and directed by Pierre Jean-Francois Turpin, and published by Batelli e Figli. Turpin (1775-1840) is considered one of the greatest French botanical illustrators of the 19th century
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Media ID 23387754
© Florilegius
1837 Angular Antoine Crab Crustacean Delle Dictionary Dizionario Emerita Fiddler Florence Francois Gabriel Jussieu Laurent Mole Naturali Pierre Pretre Sand Scienze Stipple Turpin Albunea
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EDITORS COMMENTS
This exquisite hand-colored copperplate stipple engraving, published in Antoine Laurent de Jussieu's Dizionario delle Scienze Naturali (Dictionary of Natural Sciences) in 1837, showcases two intriguing crab species: the Fiddler Crab (Gelasimus vocans) and the Angular Crab (Goneplax rhomboides). The illustration was drawn by Jean Gabriel Pretre and directed by Pierre Jean-Francois Turpin, one of the greatest French botanical illustrators of the 19th century. The Fiddler Crab, also known as the Major Crab, is easily recognizable by its large, asymmetrical claw, used primarily for attracting mates. The smaller claw is modified for feeding and other tasks. The crab's body is covered in a sandy camouflage, allowing it to blend in with its sandy environment. The Angular Crab, on the other hand, displays a more angular carapace, with a distinctly different shape from the Fiddler Crab. Its claws are more evenly sized, and it has a more elongated abdomen. Both crabs are remipedes, meaning they have legs that are modified into swimming paddles. The intricate details of the crabs' anatomy, such as their gills, eyes, and legs, are beautifully captured in this engraving. The use of hand-coloring adds depth and vibrancy to the illustration, making it a stunning addition to any collection of natural history art. This illustration is a testament to the meticulous work of Turpin and his team, showcasing their exceptional skills in botanical illustration during the 19th century. The image was published by Batelli e Figli in Florence, Italy, and remains an important historical document in the study of marine crustaceans.
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