Lyreleaf nightshade, Solanum lyratum
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Lyreleaf nightshade, Solanum lyratum
Lyreleaf nightshade, Solanum lyratum.. Handcolored woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14214296
© Florilegius / Mary Evans
Gardenflower Japanesewoodcut Konobairei Kusabanahyakushu Onehundredvarietiesofflowers Woodblock
EDITORS COMMENTS
This exquisite handcolored woodblock print showcases two beautiful and intriguing plants from the botanical world: the Lyreleaf Nightshade, Solanum lyratum, and the Chinese Trumpet Vine, Campsis grandiflora. The print is part of Kusa Bana Hyakushu, or "One Hundred Varieties of Flowers," a series created in Tokyo by the renowned Japanese artist Kono Bairei in 1901. The Lyreleaf Nightshade, also known as Nouzen Kazura or Hakuei, is depicted in the foreground of the print. Its leaves, as the name suggests, resemble the shape of a lyre, a musical instrument. The plant is native to eastern North America and is known for its attractive, bell-shaped, white or pink flowers that bloom in late summer. The Lyreleaf Nightshade is also edible and has been used in traditional medicine for various ailments. In the background of the print, the Chinese Trumpet Vine, or Campsis grandiflora, adds a burst of vibrant color. This deciduous vine is native to China and is known for its stunning, trumpet-shaped, orange-red flowers that bloom in late summer. The plant has become a popular ornamental in many gardens around the world due to its attractive appearance and ease of cultivation. The intricate details of the plants are beautifully captured in this woodblock print, with each petal, leaf, and vein meticulously rendered in color. The artist's skillful use of color and composition creates a stunning visual display that transports us to a bygone era of botanical exploration and appreciation. This print is not only a testament to the artistry of Kono Bairei but also a reminder of the rich history of botanical illustration in Japan.
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