ERMENGAUD OF BEZIERS (13th century). Br鶩aire
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ERMENGAUD OF BEZIERS (13th century). Br鶩aire
ERMENGAUD OF BEZIERS (13th century). Br鶩 aire d amour (Breviary of Love). 13th c. The Twelve Signs of the Zodiac. Proven硬 School. Romanesque art. Miniature Painting. SPAIN. San Lorenzo de El Escorial. Royal Library of the Monastery of El Escorial
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Media ID 8262691
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10680045
13th Beziers Br X9da9 Aire Breviaire Breviary Damour Ermengaud Escorial Lorenzo Monastery Proven X786c Romanesque Signs Twelve Zodiac Up Right
EDITORS COMMENTS
1. Title: Ermengaud of Beziers, 13th Century: Bridaire d'Amour, The Twelve Signs of the Zodiac, Romanesque Art, Miniature Painting, Provençal School, Spain, San Lorenzo de El Escorial, Royal Library of the Monastery This stunning 13th-century miniature painting, titled "Bridaire d'Amour" or "Breviary of Love," is a testament to the artistic brilliance of the Provençal School during the Middle Ages. The painting, which is currently housed in the Royal Library of the Monastery of San Lorenzo de El Escorial in Spain, showcases the captivating work of an unknown artist from Beziers, known as Ermengaud. The painting is a visual representation of the Twelve Signs of the Zodiac, each sign depicted with intricate detail and vibrant colors. The artist's mastery of Romanesque art is evident in the use of bold lines, rich textures, and a sense of depth that brings the zodiac signs to life. Each sign is accompanied by its corresponding symbol, adding to the overall visual appeal of the piece. The painting's vertical orientation and the ornate border surrounding the zodiac signs suggest that it was once part of a larger manuscript, possibly a breviary or a book of hours. The term "Bridaire d'Amour" indicates that the manuscript was intended for use in the context of courtly love, a popular literary and artistic theme during the Middle Ages. The painting's provenance is not definitively known, but it is believed to have originated from the Monastery of San Lorenzo de El Escorial, which was founded by King Philip II of Spain in the late 16th century. The monarch was a known collector of art and literature, and it is likely that the painting was acquired by him or one of his predecessors. Today, the painting remains an important piece of artistic and historical significance, offering a glimpse into the artistic traditions of the Middle Ages and the enduring influence of Romanesque art on European culture.
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