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Bahram Visits White Domed Pavilion Recto part
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Bahram Visits White Domed Pavilion Recto part
Bahram Visits the White Domed Pavilion (Recto); part of Khamsa of Nizami, Haft Paykar [Seven Portraits] Manuscript, c. 1560-1580. Iran, Shiraz, Safavid period, 16th century. Opaque watercolor, ink and gold on paper; image: 26.8 x 17.5 cm (10 9/16 x 6 7/8 in.); overall: 30.7 x 19.7 cm (12 1/16 x 7 3/4 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18463701
© Liszt Collection
Iran Khamsa Opaque Watercolor Recto Safavid Period Shiraz Nizami
EDITORS COMMENTS
This print showcases a mesmerizing artwork titled "Bahram Visits White Domed Pavilion Recto part" from the Khamsa of Nizami, Haft Paykar Manuscript. Created during the Safavid period in 16th century Iran, this masterpiece is a testament to the rich artistic heritage of Shiraz. The image depicts an exquisite scene painted with opaque watercolor, ink, and gold on paper. The attention to detail and vibrant colors transport viewers into a world of opulence and grandeur. The central focus is Bahram, who stands before a magnificent white domed pavilion. His regal attire and confident posture exude power and authority. The artist's skillful brushstrokes bring life to every element within the composition - from delicate floral patterns adorning the pavilion's walls to lush greenery surrounding it. The use of gold accents adds an ethereal glow that enhances the overall beauty of this piece. As we admire this remarkable artwork, we are reminded of the enduring legacy left by Persian artistry. It serves as a window into a bygone era where creativity flourished under royal patronage. This print allows us to appreciate not only its aesthetic appeal but also its historical significance as part of Iran's cultural heritage.
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