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Arbor genealogiae Noeticae Athanasii Kircheri
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Arbor genealogiae Noeticae Athanasii Kircheri
Arbor genealogiae Noeticae, Athanasii Kircheri e Soc. Jesu Arca Noe, in tres libros digesta: quorum I, De rebus quae ante diluvium: II, De iis, quae ipso diluvio ejusque duratione: III, De iis, quae post diluvium a Noemo gesta sunt: quae omnia nova methodo, nec non summa argumentorum varietate, explicantur and demonstrantur, Decker, Cornelis Gerritsz. ca. 1620-1678, Kircher, Athanasius, 1602-1680, Engraving, 1675
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18506055
© Liszt Collection
1602 1680 1675 Athanasius Kircher Nova Quae Ante Athanasii Kircheri Decker Digesta Diluvio Diluvium Summa Sunt
EDITORS COMMENTS
This print showcases the intricate and fascinating "Arbor genealogiae Noeticae Athanasii Kircheri" by Cornelis Gerritsz Decker and Athanasius Kircher. Created in 1675, this engraving is a true masterpiece that delves into the realms of prehistoric history. The artwork is divided into three books, each exploring different aspects of human existence before, during, and after the Great Flood. The first book focuses on events preceding the deluge, while the second book sheds light on what transpired during this cataclysmic event and its duration. Finally, the third book unravels post-Flood accounts from Noah's perspective. What sets this piece apart is not only its meticulous detail but also its innovative approach to storytelling. Through a novel method and an array of compelling arguments, Decker and Kircher expertly explain and demonstrate their theories about humanity's ancient past. As we delve deeper into this enchanting engraving, we are transported back in time to witness our ancestors' journey through history. The branches of knowledge intertwine like roots connecting generations across millennia. It serves as a testament to human curiosity and our unyielding quest for understanding our origins. This print allows us to appreciate the genius behind Decker's artistic vision while marveling at Kircher's intellectual prowess. It invites us to explore an era long gone yet forever imprinted within these intricate lines etched onto paper.
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