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Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right)
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Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right)
Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right), c. 1770-1775. A beguiling artist with a brief career, Brown is known for a small group of monochromatic drawings imbued with sinister overtones. At the age of 20, the Scottish artist traveled to Italy where he spent the next 12 years. This drawing exemplifies his Roman street scenes which often depict women dressed in spectacular, billowing costumes. Here, a coquette with bare ankles and plunging decolletage is surrounded by a crowd of vulgar types who leer, ogle, judge, and scorn. The reverse of the sketchbook sheet includes two independent drawings: a study of faces in fierce and intense expressions, and a pair of women wearing swirling gowns. One figure raises her hand in a mysterious gesture that casts a shadow on her throat resembling a claw. Whether the viewer is being beckoned or forewarned remains a mystery
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This print showcases the artwork titled "Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right), c. 1770-1775" by an enigmatic artist named Brown. Despite his short-lived career, Brown is renowned for a select collection of monochromatic drawings that exude an eerie atmosphere. At just 20 years old, this Scottish artist embarked on a journey to Italy where he resided for the next dozen years. The image in question beautifully exemplifies Brown's fascination with Roman street scenes, often featuring women adorned in extravagant and billowing costumes. In this particular drawing, we are introduced to a coquettish figure with exposed ankles and a plunging neckline surrounded by a crowd of unsavory characters who leer, judge, and scorn her presence. On the reverse side of this sketchbook sheet lie two separate drawings: one depicting intense facial expressions captured in fierce detail and another showcasing two women donning swirling gowns. Notably intriguing is how one of these figures raises her hand in an enigmatic gesture that casts an ominous shadow resembling a claw upon her throat. Whether this beckons or forewarns the viewer remains shrouded in mystery. This remarkable print from Heritage Art/Heritage Images offers us a glimpse into Brown's unique artistic vision—a world filled with sinister undertones and beguiling imagery that continues to captivate audiences today.
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