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West Indian Women of Color, with a Child and Black Servant, ca. 1780

West Indian Women of Color, with a Child and Black Servant, ca. 1780


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West Indian Women of Color, with a Child and Black Servant, ca. 1780

West Indian Women of Color, with a Child and Black Servant; Two West Indian Women of Color, a Child Holding the Hand of One and attendant Black Servant, ca. 1780

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Media ID 20764689

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Agostino Brunias Bare Feet British West Indies Brunias Agostino Creole Four People Indies Local People Paintings Pointing Servant Servants West Indian West Indies Yale Center For British Art Barefoot British Empire Hand Gesture


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> Arts > Artists > B > Agostino Brunias

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Portraits

> Europe > Italy > Paintings


EDITORS COMMENTS
This 18th-century oil painting by Agostino Brunias, titled "West Indian Women of Color, with a Child and Black Servant" offers a glimpse into the complex social dynamics of the British West Indies during that era. The composition features four individuals: two West Indian women of color, a child holding onto one woman's hand, and an attendant black servant. The artist masterfully captures the diversity within this group, showcasing the rich heritage and cultural fusion prevalent in the region. The women are dressed in vibrant traditional attire, their headdresses adorned with intricate details. Their bare feet suggest a connection to their indigenous roots and perhaps signify their humble status. The child appears curious yet cautious as they hold tightly onto their guardian's hand. Meanwhile, the black servant stands nearby, fulfilling his occupation dutifully. Through subtle gestures and expressions, Brunias conveys a sense of unity among these individuals despite societal hierarchies. This thought-provoking portrait not only highlights the beauty of its subjects but also prompts reflection on power dynamics within colonial societies. It serves as a testament to Brunias' skill in capturing both physical likeness and emotional depth through his brushstrokes. Displayed at Yale Center for British Art Museum today, this remarkable piece continues to inspire dialogue about race, identity, and representation in art history.

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