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Waiting to be Won, 1875. Artist: Joseph Swain

Waiting to be Won, 1875. Artist: Joseph Swain


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Waiting to be Won, 1875. Artist: Joseph Swain

Waiting to be Won, 1875. The Queen of the Arctic is perched on an iceberg with two polar bears at her feet. This relates to the New Arctic Expedition at the start of which two ships, Alert and Discovery under the commands of Captains Nares and Stephenson respectively, left Portsmouth. The aim was to complete the mapping of the Northwest Passage. From Punch, or the London Charivari, June 5, 1875

Heritage Images features heritage image collections

Media ID 14831307

© The Print Collector / Heritage-Images

Arctic Bear Cold Expedition Harpoon Heritage Image Partnership Iceberg John Tenniel Joseph Swain Polar Bear Sir John Tenniel Swain Tenniel Allegorical Figure


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Black Bear

> Animals > Mammals > Polar Bear

> Animals > Mammals > Ursidae > Polar Bear

> Animals > Wild > Bears > Polar Bear

> Arts > Artists > T > John Tenniel

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > England > London > Weather


EDITORS COMMENTS
In this print titled "Waiting to be Won" by Joseph Swain, we are transported back to the year 1875 and immersed in a scene of Arctic exploration. The image showcases an allegorical figure known as the Queen of the Arctic, gracefully perched on an iceberg with two majestic polar bears at her feet. This artwork is deeply connected to the New Arctic Expedition, which commenced with great anticipation as two British ships, Alert and Discovery, set sail from Portsmouth under the commands of Captains Nares and Stephenson. The primary objective of this daring expedition was to chart and complete the mapping of the treacherous Northwest Passage. As we observe this monochrome engraving, we can almost feel the biting coldness that envelops these brave explorers in their wintry quest. The artist's attention to detail is remarkable - from depicting snow-covered landscapes and icy terrain to showcasing weapons like harpoons symbolizing both danger and survival. This satirical piece published in Punch magazine captures not only a significant moment in history but also reflects Britain's ambition for conquest during that era. It serves as a reminder of our human fascination with uncharted territories and our relentless pursuit of knowledge even amidst harsh conditions. As we gaze upon this heritage image partnership between John Tenniel and Joseph Swain, it evokes a sense of admiration for those who dared venture into unknown realms while reminding us of nature's awe-inspiring beauty that awaits discovery beyond familiar horizons.

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