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The Wagnerites, 1894. Creator: Aubrey Beardsley
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The Wagnerites, 1894. Creator: Aubrey Beardsley
The Wagnerites, 1894. An audience, some with elaborate hairstyles, in an opera house. A programme that has fallen to the floor reads Tristan und Isolde, an opera by Richard Wagner. From The Yellow Book, Vol. III. Published in " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]
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Media ID 24364629
© Shirley Markham Collection/Heritage Images
Aubrey Beardsley Aubrey Vincent Beardsley Audience Beardsley Aubrey Beardsley Aubrey Vincent Bodley Head Charles Elkin Mathews Decadent Movement Elkin Mathews Hairstyles John Lane Lane John Mathews Charles Elkin Mathews Elkin Opera House Periodical Publishing Publishing House R A Walker Rainforth Armitage Walker Richard Wagner Shirley Markham The Yellow Book Tristan And Iseult Tristan And Isolde Tristan Und Isolde Wagner Richard Walker Walker R A Walker Rainforth Armitage Wilhelm Richard Wagner Graphic Design Playhouse
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EDITORS COMMENTS
In this photograph, we are transported back to the enchanting world of 19th-century opera. The audience, adorned with elaborate hairstyles, fills the grand opera house eagerly awaiting a performance of Richard Wagner's masterpiece, Tristan und Isolde. Aubrey Beardsley's artistic genius shines through in his illustration from The Yellow Book, Vol. III. The image captures the essence of the Decadent Movement that was prevalent during this period. Beardsley's intricate graphic design and attention to detail bring each character to life on the page. Men and women alike are captivated by the allure of Wagner's music as they immerse themselves in this theatrical experience. As our eyes wander across the scene, we notice a fallen programme reading Tristan und Isolde lying on the floor. It serves as a reminder that even amidst such visual splendor, literature plays an important role in enhancing our understanding and appreciation for art. Published in "The Best of Beardsley" edited by R. A. Walker in 1948, this print showcases not only Beardsley's talent but also highlights his contribution to British art nouveau movement. His collaboration with publishers Charles Elkin Mathews and John Lane further solidifies his place among influential figures in British literature and publishing history. This remarkable piece transports us back to a time when theater was at its height; it is a testament to both Beardsley's skill as an illustrator and Wagner's enduring legacy as one of history’s greatest composers.
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