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Two Studies of Horses, One of a Galloping Horseman and Others of Horses Legs, c1480 (1945). Artist: Leonardo da Vinci
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Two Studies of Horses, One of a Galloping Horseman and Others of Horses Legs, c1480 (1945). Artist: Leonardo da Vinci
Two Studies of Horses, One of a Galloping Horseman and Others of Horses Legs, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]
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Media ID 14983408
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Anatomical Anatomical Study Anatomy Da Vinci Drawings Of Leonardo Galloping Hitchcock Horseman Horsemen Leonardo Leonardo Da Leonardo Da Vinci Leonardo De Vinci Line Drawing Movement Reynal Reynal Hitchcock Silverpoint Sketchbook Vinci
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EDITORS COMMENTS
This print showcases the genius of Leonardo da Vinci, one of the greatest artists and thinkers in history. Titled "Two Studies of Horses, One of a Galloping Horseman and Others of Horses Legs" this artwork is a testament to da Vinci's meticulous observation skills and his deep understanding of anatomy. Created around 1480 but published in 1945 as part of "The Drawings of Leonardo da Vinci" this piece captures the essence and movement of horses with incredible precision. The side view perspective allows us to appreciate the gracefulness and power that these majestic creatures possess. Leonardo's fascination with both art and science shines through in this composition. Through his detailed study, he not only captured the external beauty but also delved into the intricate workings beneath their skin. This anatomical exploration demonstrates his insatiable curiosity about nature's mechanisms. As we gaze upon this monochrome sketchbook drawing, we are transported back to Renaissance Italy, where Leonardo flourished as an artist during the 15th century. His mastery over line work is evident here, showcasing his ability to convey depth and form using just simple strokes. This print serves as a reminder that Leonardo da Vinci was not only an exceptional painter but also an extraordinary scientist whose contributions continue to inspire generations even today.
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