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Salvation Army march led by a drummer being barracked by onlookers in Paris, 1892. Artist: Henri Meyer
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Salvation Army march led by a drummer being barracked by onlookers in Paris, 1892. Artist: Henri Meyer
Salvation Army march led by a drummer being barracked by onlookers in Paris, 1892. The Salvation Army, an evangelical Protestant charitable movement was founded by William Booth in London in 1865. A print from a supplement to the Le Petit Journal, 20th February 1892
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Media ID 14844928
© Artmedia / Heritage-Images
Abuse Anger Angry Charity Drum Drummer Fury Henri Henri Meyer Marching Meyer Opposition Rage Salvation Army Social Reform Tuba Unpopular Print Collector4
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EDITORS COMMENTS
This print captures a historic moment in Paris, 1892. The image showcases a Salvation Army march led by a determined drummer, facing the relentless barracking of onlookers. Painted by artist Henri Meyer, this artwork depicts the clash between the evangelical Protestant movement and an unsupportive crowd. The Salvation Army, founded by William Booth in London in 1865, aimed to bring social reform through charity and Christianity. However, their efforts were met with opposition and anger from those who found their message unpopular or threatening. In this scene, we witness the musician's unwavering commitment as he plays his drum amidst abuse and fury. The street setting adds depth to the composition; it is filled with people expressing their discontent towards this religious group marching through their city. The contrasting emotions portrayed here - determination versus rage - create a powerful visual narrative that reflects societal tensions during the nineteenth century. Henri Meyer skillfully captured this significant moment using art media techniques of his time. With intricate details and shading techniques, he brings life to each character present in this historical event. This thought-provoking print serves as a reminder of both the challenges faced by those advocating for change and the resilience required to overcome opposition. It stands as a testament to how art can capture not only moments frozen in time but also complex human emotions that transcend centuries.
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