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Saint Zeno, Saint John the Baptist and a Female Martyr, c. 1495. Artist: Montagna, Bartolomeo (1449-1523)
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Saint Zeno, Saint John the Baptist and a Female Martyr, c. 1495. Artist: Montagna, Bartolomeo (1449-1523)
Saint Zeno, Saint John the Baptist and a Female Martyr, c. 1495. Found in the collection of the National Gallery, London
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Media ID 14900798
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Apostle Apostles History Baptist Bartolomeo 1449 1523 Exorcism Gallienus John The Baptist John The Forerunner Loyalty Martyr Martyrdom Montagna Prophet Saint John The Baptist Saints Theology Venetian School Wonderworker Symbolism Zeno
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EDITORS COMMENTS
This print showcases the masterpiece "Saint Zeno, Saint John the Baptist and a Female Martyr" created by renowned artist Bartolomeo Montagna in 1495. Housed in the prestigious National Gallery in London, this painting exemplifies the splendor of Italian Renaissance art. Montagna skillfully depicts three significant figures from Christian history: Saint Zeno, Saint John the Baptist, and a Female Martyr. The artist's attention to detail is evident as he portrays each saint with profound reverence and devotion. Symbolism plays a crucial role throughout the composition, reflecting biblical narratives and theological concepts. The central figure of Saint John the Baptist stands tall as an apostle and prophet. Known for his exorcism abilities and martyrdom at the hands of King Herod, he embodies unwavering loyalty to Jesus Christ. Beside him stands Saint Zeno of Verona, a revered wonderworker who played an essential role in early Christianity. The inclusion of a female martyr adds depth to this artwork's narrative. While her identity remains unknown, her presence emphasizes sacrifice and dedication to faith. Montagna's use of oil on canvas brings these saints to life with vibrant colors that illuminate their spiritual significance. This piece is exemplary of Venetian School artistry during this period. As we admire this fine art image today, it serves as a testament to Montagna's talent and offers viewers an opportunity to delve into religious history while appreciating its aesthetic beauty.
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