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Pieta, 1927
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Pieta, 1927
Pieta, 1927. A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London. Essays by paul Lambotte, Dr Max Friedlander and W G Thomsom, Apollo Press, London, 1927
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Media ID 14934728
© The Print Collector / Heritage-Images
Bleeding Campin Chest Flemalle Master Of Master Of Flemalle Nimbus Pain Piet Pieta Ribcage Robert Campin Suffering Wound Wounded
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EDITORS COMMENTS
This print captures the profound emotion and religious symbolism of "Pieta, 1927". Taken from the Flemish and Belgian art exhibition held at Burlington House in London, this artwork showcases the talent of Robert Campin, also known as the Master of Flemalle. In this powerful image, we see a wounded male figure lying on a stone slab, his chest exposed to reveal a bleeding ribcage. The man's anguished expression reflects immense pain and suffering. A nimbus hovers above his head, signifying his divine nature or spiritual significance. The concept of pieta is deeply rooted in religion, depicting the Virgin Mary cradling her son Jesus Christ after his crucifixion. This portrayal evokes feelings of compassion and empathy for human suffering. The monochrome composition adds to its timeless quality while emphasizing the starkness of the scene. The attention to detail by Campin is evident in every line etched on the man's body. As we gaze upon this poignant portrait, we are reminded of our own mortality and vulnerability as humans. It serves as a reminder that even in moments of great pain and despair, there can be beauty found within faith and spirituality. "Pieta, 1927" stands as a testament to both artistic mastery and deep religious devotion—a masterpiece that continues to resonate with viewers even decades after its creation in the vibrant twenties era.
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