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Official pass for the Monterey Jazz Festival, 1958. Creator: Unknown
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Official pass for the Monterey Jazz Festival, 1958. Creator: Unknown
Ralph J. Gleason (1917-1975) was an American jazz and popular music critic and cofounder of the Monterey Jazz Festival. A pink pass with black lettering and handwritten notations, that belonged to Ralph Gleason. The black printed text reads: [OFFICIALS / PASS / MONTEREY JAZZ FESTIVAL / OCT 3-4-5, 1958]. The handwritten text in blue ink reads: [Ralph Gleason, San Francisco, Calif. Director]. The pass is signed by Hal Hallett
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Media ID 23861011
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1950s Black History Cultural Heritage Fifties Heritage Ink On Paper Jazz Festival Music Festival Nmaahc Official Pass Afro American
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EDITORS COMMENTS
This vibrant pink pass with black lettering and handwritten notations takes us back to the iconic Monterey Jazz Festival of 1958. A treasured artifact belonging to Ralph Gleason, a prominent figure in American jazz history, this official pass grants access to the festival that took place on October 3rd, 4th, and 5th of that year. The pass is signed by Hal Hallett, adding an extra touch of authenticity. Ralph Gleason's passion for jazz and his role as co-founder of the Monterey Jazz Festival make this piece even more significant. As director from San Francisco, California, he played a pivotal role in shaping one of the most renowned music festivals in America. The blue ink handwriting on the pass proudly displays Gleason's name alongside his location. This personal touch adds a sense of connection between him and this historical event. As we admire this relic from the past, it serves as a reminder of African American cultural heritage within the context of mid-20th century America. It represents an era when jazz was at its peak popularity and showcases how music transcends boundaries. Preserved by unknown hands until now, this print captures both the essence of an unforgettable moment in time and pays homage to those who paved the way for future generations to appreciate and celebrate jazz music.
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