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Meditation, 1910. Creator: Herbert Ponting

Meditation, 1910. Creator: Herbert Ponting


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Meditation, 1910. Creator: Herbert Ponting

Meditation, 1910. Jizo statues at Kanmangafuchi, Nikko. From " In Lotus-Land Japan", by Herbert G. Ponting, F.R.G.S. [Macmillan and Co. Limited, London, 1910]

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Media ID 18778025

© The Print Collector/Heritage Images

Bodhisattva Herbert Herbert George Ponting Herbert Ponting In A Row In Lotus Land Japan Jizo Kanto Kisitigarbha Macmillan Macmillan And Co Macmillan Publishers Macmillan Publishers Ltd Meditation Nikko Oriental Pilgrim Ponting Protector Publishers Staff Tochigi Traveller Travellers Valley Walking Staff


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> Arts > Artists > P > Herbert Ponting

> Arts > Artists > W > George White

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Asia > Japan > Related Images

> Europe > France > Canton > Landes


EDITORS COMMENTS
Caption: "Meditation, 1910" - A Serene Encounter with Jizo Statues in Lotus-Land Japan This photo print, titled "Meditation, 1910" captures a serene moment amidst the enchanting Kanmangafuchi valley in Nikko, Japan. The image was created by Herbert Ponting, an acclaimed photographer and explorer of his time. In this mesmerizing scene from Ponting's book "In Lotus-Land Japan" we are transported to a tranquil realm where rows of Jizo statues stand as silent guardians. These Bodhisattva figures, dressed in traditional Japanese attire, exude an aura of peace and contemplation. The photograph showcases the mastery of Ponting's artistry as he skillfully captures the essence of Japanese spirituality. The lone figure standing among the statues appears deep in meditation or prayer while holding a walking staff—a symbol often associated with pilgrims embarking on spiritual journeys. Ponting's lens transports us beyond geographical boundaries into the heart of ancient traditions. His monochrome portrayal emphasizes both the timeless beauty and profound significance of these religious sculptures within Japanese culture. As we gaze upon this remarkable image from early 20th-century Asia, we can almost feel ourselves immersed in its tranquility. It serves as a poignant reminder that amidst our bustling modern lives, moments for introspection and connection with something greater still exist—just like those who have sought solace here for centuries before us.

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