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The Light Horse Volunteers of London & Westminster, 1798. Artist: Thomas Rowlandson

The Light Horse Volunteers of London & Westminster, 1798. Artist: Thomas Rowlandson


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The Light Horse Volunteers of London & Westminster, 1798. Artist: Thomas Rowlandson

The Light Horse Volunteers of London & Westminster commanded by Col. Herries, reviewed by His Majesty (George III) on Wimbledon Common, 5th July 1798. Showing a semicircle of spectators bordering a wide space on which cavalry gallop. In the foreground an argument has developed

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Media ID 15166620

© London Metropolitan Archives (City of London) / Heritage-Images

Argument Carriage Cavalry Colonel George Iii King George Iii King Of Great Britain Merton Rowlandson Spectator Thomas Rowlandson Wimbledon Wimbledon Common Herries


FEATURES IN THESE COLLECTIONS

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > W > George White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Boroughs > City of London

> Europe > United Kingdom > England > London > Boroughs > City of Westminster

> Europe > United Kingdom > England > London > Boroughs > Merton

> Europe > United Kingdom > England > London > Museums > British Library

> Europe > United Kingdom > England > London > Sights > Wimbledon Park

> Europe > United Kingdom > England > London > Towns > Merton


The Light Horse Volunteers of London & Westminster, 1798

EDITORS COMMENTS
is a captivating print by Thomas Rowlandson that transports us back to the vibrant atmosphere of Wimbledon Common on the 5th of July, 1798. The artwork showcases an impressive display of cavalry galloping across a wide open space, while a semicircle of spectators eagerly watches from the sidelines. In this bustling scene, one cannot help but be drawn to the foreground where an intriguing argument has erupted. Amidst the thundering hooves and military precision, it seems that tensions have flared between two individuals. Perhaps their disagreement stems from differing opinions or personal rivalries within this esteemed group. The attention to detail in Rowlandson's work allows us to immerse ourselves in this pivotal moment in history. We catch glimpses of both men and women among the crowd, highlighting the diverse range of people who were captivated by such events during eighteenth-century England. As we gaze upon this snapshot frozen in time, we are reminded not only of the grandeur and spectacle surrounding King George III's review but also of the underlying complexities and conflicts that often accompany moments steeped in warfare and patriotism. This remarkable piece can be found at Guildhall Library and Art Gallery, serving as a testament to both Rowlandson's artistic prowess and his ability to capture historical narratives with great finesse.

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