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Le Bain, (The Bath), c1770-1810, (1913). Artist: Nicolas-Francois Regnault
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Le Bain, (The Bath), c1770-1810, (1913). Artist: Nicolas-Francois Regnault
Le Bain, c1770-1810, (1913). After Pierre-Antoine Baudouin (1723-1769). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]
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Media ID 14975902
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Assistance Assisting Awkward Bath Bath Tub Bathing Heinemann Helping Maid Nicolas Francois Regnault Pierre Antoine Baudouin Regnault Rococo Era William Heinemann William Heinemann Ltd Wmheinemann Baudouin Nicolas François Pierre Antoine
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EDITORS COMMENTS
This print titled "Le Bain, (The Bath)" captures a moment of intimate vulnerability and elegance. Created by Nicolas-Francois Regnault in the late 18th century, this piece beautifully depicts three women in a French country setting engaged in their daily ritual of bathing. The baroque-inspired interior adds an air of opulence to the scene. The central figure, a Caucasian woman, sits gracefully in a bath tub while being assisted by her maid. The assistance provided is depicted with utmost care and tenderness, highlighting the importance of human connection even during such private moments. The presence of a book suggests that literature plays a significant role in this lady's life as she indulges both her mind and body. Regnault skillfully captures the delicate balance between nudity and modesty through his masterful use of color and light. The soft hues create an ethereal atmosphere that enhances the overall beauty of this rococo-era artwork. As we gaze upon this print from 1913, we are transported back to the 18th century when such scenes were not only commonplace but also celebrated for their sensuality and artistic merit. It serves as a reminder that art has always been intertwined with our daily lives, capturing moments both mundane and extraordinary. This print is part of "French Colour-Prints of the XVIII Century" published by William Heinemann Ltd. , London. Its inclusion in this collection showcases its significance within French art history and its enduring appeal to contemporary audiences who appreciate
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