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Jerusalem, Tombeau des rois de Juda, Frise superieure et centrale, 1854

Jerusalem, Tombeau des rois de Juda, Frise superieure et centrale, 1854


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Jerusalem, Tombeau des rois de Juda, Frise superieure et centrale, 1854

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Media ID 20137302

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Archaeological Auguste Auguste Salzmann Frieze Holy Land Israel Jerusalem Jerusalem Israel Mausoleum Necropolis Palestine Salted Paper Print Salzmann Salzmann Auguste Tombs Of The Kings Zion


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> Asia > Israel > Jerusalem

> Asia > Palestine > Jerusalem

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EDITORS COMMENTS
This photograph, taken by Auguste Salzmann in 1854, showcases the mesmerizing beauty of Jerusalem's Tombeau des rois de Juda. The image focuses on the upper and central frieze of this ancient burial site, offering a glimpse into the rich history and archaeological significance it holds. Salzmann's mastery in capturing intricate details is evident as he presents us with a stunning visual narrative. The delicate decorative elements adorning the stone frieze are beautifully highlighted against the stark contrast of black and white tones. Each intricately carved motif tells a story, evoking a sense of wonder about the lives that once inhabited this sacred space. As we gaze upon this remarkable photograph, we are transported back to 19th-century France when Salzmann embarked on his journey to document archaeological sites across Palestine. His work not only serves as an artistic testament but also contributes immensely to our understanding of cultural heritage. The Tombeau des rois de Juda stands as a testament to both life and death – an enduring symbol of remembrance for those who have passed away. Its location within Jerusalem's holy land adds another layer of spiritual significance to its already profound historical context. Auguste Salzmann's salted paper print immortalizes this majestic mausoleum, allowing viewers from around the world to appreciate its grandeur even centuries later. This extraordinary piece now resides within The Metropolitan Museum of Art, serving as a reminder that art has no boundaries when it comes to

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