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Jeddo and Belfast; or, a Puzzle for Japan, 1872. Artist: Joseph Swain
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Jeddo and Belfast; or, a Puzzle for Japan, 1872. Artist: Joseph Swain
Jeddo and Belfast; or, a Puzzle for Japan, 1872. The Archbishop of Canterbury greets the Japanese Ambassador. The Ambassador and his colleague can barely hide their grins at the melee going on in the background as the simian Catholics battle it out with the Protestants. From Punch, or the London Charivari, August 31, 1872
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Media ID 14831598
© The Print Collector / Heritage-Images
Ambassador Archbishop Archbishop Of Canterbury Bishop Conflict Heritage Image Partnership John Tenniel Joseph Swain Protestant Protestantism Sir John Tenniel Swain Tenniel Kimono Roman Catholicism Simian
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EDITORS COMMENTS
The print titled "Jeddo and Belfast; or, a Puzzle for Japan, 1872" captures a fascinating moment in history. In this artwork by Joseph Swain, we witness the meeting between the Archbishop of Canterbury and the Japanese Ambassador. However, what truly catches our attention is the chaos unfolding in the background. As both religious leaders exchange pleasantries, their respective followers engage in an animated battle. The scene depicts simian-like figures representing Catholics and Protestants locked in conflict. Despite their attempts to conceal it, the grinning faces of the Ambassador and his colleague reveal their amusement at this peculiar spectacle. This cartoon from Punch magazine showcases not only religious tension but also cultural clashes during that era. It provides a commentary on Christianity's influence on society while highlighting Japan's unique perspective as an observer of these conflicts. The image transports us back to 19th-century England when religion played a significant role in shaping social dynamics. The contrasting attire worn by individuals - kimono-clad Japanese ambassadors alongside Western-style clothing - further emphasizes cultural differences. Joseph Swain's artistic interpretation invites contemplation about how religion can be both unifying and divisive simultaneously. Through monochrome black-and-white tones, he effectively captures the essence of this historical moment with intricate details that speak volumes about religious heritage and its impact on societies worldwide.
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