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Heavenly King Virudhaka, 1368-1644. Creator: Unknown
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Heavenly King Virudhaka, 1368-1644. Creator: Unknown
Heavenly King Virudhaka, 1368-1644. Heavenly Kings are guardians who watch over the cardinal directions: north, south, west, and east. Sculptures or paintings of these guardian kings are often placed at the entrance or at the four corners of the altar or inner temple. This king is the guardian of the south ( Zengzhang tianwang, also called Virudhaka). His attribute is a sword carried in his right hand to protect the southern continent and the dharma, or Buddhist teaching. Associated with the colour blue, his face is depicted in that colour. His fearsome bulging eyes, the dark face, and his demonic attendants keep evil away. This painting was recently restored by conservators of the museums Chinese painting conservation studio. They stabilized loose pigment and creases and replaced the silk mount. The Guardians legs are missing; the painting was cropped long before it entered the museums collection
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Media ID 19632640
© Heritage Art/Heritage Images
1368 1644 Colour On Silk Hanging Scroll Ming Dynasty
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This print showcases the Heavenly King Virudhaka, a majestic guardian who diligently watches over the southern cardinal direction. Created during the Ming Dynasty between 1368 and 1644, this painting exudes an air of divine protection and spiritual significance. Adorned with vibrant blue hues that symbolize his association with the southern continent, Virudhaka wields a mighty sword in his right hand. This powerful weapon serves as both a physical defense for his realm and a metaphorical safeguard for Buddhist teachings, known as dharma. The artist's attention to detail is evident in Virudhaka's fearsome bulging eyes and dark face, which add an aura of intimidation to ward off any evil forces. Accompanying him are demonic attendants whose presence further reinforces their role as protectors against malevolent influences. Recently restored by skilled conservators at The Cleveland Museum of Art's Chinese painting conservation studio, this artwork has been meticulously stabilized. Loose pigment and creases have been carefully addressed while the silk mount has been replaced to ensure its longevity. Although time has taken its toll on this masterpiece, it remains awe-inspiring even without its lower section depicting the Guardian's legs. Despite this missing element, its historical value and artistic beauty continue to captivate viewers from all walks of life.
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