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Head II. From One of the Mural Paintings in the Church at Eton, 1911. Creator: Unknown
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Head II. From One of the Mural Paintings in the Church at Eton, 1911. Creator: Unknown
Head II. From One of the Mural Paintings in the Church at Eton, 1911. From " A History of Eton College (1440-1910)", by Sir H. C Maxwell Lyte, K.C.B. [Macmillan and Co. Limited, London, 1911]
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Media ID 19174585
© The Print Collector/Heritage Images
Berkshire College Eton Eton Berkshire England Eton College Hc Maxwell Lyte Henry Churchill Maxwell Henry Churchill Maxwell Lyte History Of Eton College Looking Down Lyte Lyte Henry Churchill Maxwell Macmillan Macmillan And Co Macmillan Co Macmillan Publishers Macmillan Publishers Ltd Maxwell Lyte Mural Publishers Publishers Macmillan School Sir Hc Maxwell Lyte Gold Colour
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EDITORS COMMENTS
This print titled "Head II. From One of the Mural Paintings in the Church at Eton, 1911" takes us back to a bygone era, offering a glimpse into the rich history and artistic beauty of Eton College. Created by an unknown artist during the 15th century, this mural painting showcases a stunning female portrait that exudes elegance and grace. The color palette used in this artwork is predominantly gold, adding a touch of regality and splendor to the composition. The woman depicted wears a crown on her head, symbolizing her importance or perhaps representing royalty. Her gaze is directed downward, evoking contemplation or introspection. Located within the historic church at Eton College in Berkshire, England, this mural painting holds great significance for both its religious context and educational setting. It serves as a reminder of Christianity's influence on art during medieval times while also highlighting Eton's long-standing tradition as an esteemed educational institution. Preserved through time and immortalized in Sir H. C Maxwell Lyte's book "A History of Eton College (1440-1910)", this engraving captures not only the beauty but also the cultural heritage associated with such masterpieces. As we admire this print today, it allows us to appreciate both its aesthetic value and historical importance within British arts and literature.
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