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He, soon as he saw that I was weeping, c1890. Creator: Gustave Doré

He, soon as he saw that I was weeping, c1890. Creator: Gustave Doré


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He, soon as he saw that I was weeping, c1890. Creator: Gustave Doré

He, soon as he saw that I was weeping, answer d, " Thou must needs another way pursue, if thou wouldst scape from out that savage wilderness", c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno), the first part of " The Divine Comedy" (La divina commedia) by Dante Alighieri. This long, narrative poem, written in Italian c1308-1321, tracing Dantes imaginary journey from Hell, through Purgatory and finally to Heaven and a beatific vision of God, has been published numerous times. This edition, published late 19th century, is illustrated by Gustave Dore. [Cassell Petter & Galpin, c1890]

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Media ID 18909362

© The Print Collector/Heritage Images

Aligheri Alighieri Dante Dante Aligheri Dante Alighieri Divina Commedia Divine Comedy Dore Guide Gustave Gustave Dore Hell Louis Christophe Gustave Dore Paul Gustave Paul Gustave Dore Petter And Galpin Poem Publius Publius Vergilius Maro Vergil Vergilio Vergilius Maro Virgil Weeping Wilderness Woods Cassell Poetry


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EDITORS COMMENTS
This photo print, titled "He, soon as he saw that I was weeping" captures a powerful moment from Gustave Doré's illustrations for Dante Alighieri's epic poem, "The Divine Comedy". The image depicts Dante and the Roman poet Virgil in a dense woodland, with Dante visibly distraught and shedding tears. As they navigate through the savage wilderness of Hell, Virgil offers guidance to his companion. Doré's intricate engraving skillfully brings to life the emotional intensity of this scene. The monochrome aesthetic adds an ethereal quality to the artwork, emphasizing the contrast between light and shadow. Through his masterful use of lines and shading techniques, Doré creates a sense of depth within the forest setting. "The Vision of Hell" is just one part of Dante's larger work which chronicles his imaginary journey through Hell, Purgatory, and Heaven. Published numerous times since its completion in 1321, this particular edition from late 19th century stands out due to Doré's evocative illustrations. As viewers engage with this print today, they are transported back in time to experience both Dante's poetic vision and Doré's artistic interpretation. It serves as a testament to the enduring power of literature combined with visual artistry – an exquisite fusion that continues to captivate audiences across centuries.

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