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Explanation of the Arms of Napoleon Bonaparte, April 1814. April 1814
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Explanation of the Arms of Napoleon Bonaparte, April 1814. April 1814
Explanation of the Arms of Napoleon Bonaparte, April 1814
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Media ID 19987702
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1st Consul Bonaparte Ackermann R Ackermann Rudolph Bonaparte Bonaparte General Bonaparte Napoleon Bonaparte Napoleon L Emperor Of France Bonaparte The Corsican Boney Buonaparte Coat Of Arms Devil Emperor Napoleon Firs First Consul Bonaparte General Bonaparte Heraldic Heraldry Napoleon Napoleon 1 Napoleon 1st Napoleon Bonaparte Napoleon Bonaparte I Napoleon Buonaparte Napoleon I Napoleone Di Buonaparte R Ackermann Reptile Reptiles Rowlandson Rowlandson Thomas Rudolph Ackermann Skeleton Snake Thomas Rowlandson Trident Allegorical Figure Aquatint Hand Tinted
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Explanation of the Arms of Napoleon Bonaparte, April 1814 - A Symbolic Depiction of Power and Demise
EDITORS COMMENTS
. This hand-tinted aquatint print by Thomas Rowlandson, titled "Explanation of the Arms of Napoleon Bonaparte, April 1814" offers a fascinating glimpse into the complex world surrounding one of history's most iconic figures. Created during the early 19th century, this artwork showcases Rowlandson's masterful use of color and detail. The central focus is on an allegorical figure representing Napoleon Bonaparte himself. Dressed in his military attire as First Consul Bonaparte, he stands proudly amidst a sea of symbols that reflect his power and ambitions. The coat of arms prominently displayed behind him serves as a visual testament to his imperial rule over France. However, lurking beneath this grandeur lies subtle imagery hinting at Napoleon's eventual downfall. A skeletal figure symbolizing death reaches out towards him while a devilish reptile slithers nearby – reminders that even great emperors are not immune to mortality or temptation. Rowlandson's meticulous attention to heraldry adds another layer to this composition. The inclusion of tridents and snakes alludes to Britain's role in opposing Napoleon during this period, highlighting the ongoing struggle between these two powers. As we gaze upon this extraordinary piece from The Metropolitan Museum Of Art collection, it becomes evident that Rowlandson skillfully captured both the might and vulnerability inherent in Napoleonic
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