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Charles II touching a patient for the Kings evil, c1680 (1903). Artist: Frederick-Hendrik van den Hove
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Charles II touching a patient for the Kings evil, c1680 (1903). Artist: Frederick-Hendrik van den Hove
Charles II touching a patient for the Kings evil, c1680 (1903).The royal touch was a form of laying on of hands, whereby French and English monarchs would touch their subjects, to cure them of various diseases and conditions. It was a ritual most commonly applied to people suffering from tuberculous cervical lymphadenitis, known as scrofula, and exclusively to them from 16th century onwards. The frequency of the ritual reached its height during the reign of Charles II (c1660-1685), the only English monarch who applied royal touch more than French kings. Over 92, 000 scrofulous people were touched by him, over 4, 500 annually. From London in the Time of the Stuarts, by Sir Walter Besant. [Adam & Charles Black, London, 1903]
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Media ID 14971394
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Belief Besant Charles Ii Consumption Curing Disease Faith Healing Helping His Majesty Hove Illness King Charles Ii King Of Great Britain And Ireland Ritual Sick Sickness Sir Walter Sir Walter Besant Stewart Stuart Subject Superstition Touch Touching Tuberculosis Walter Walter Besant Kings Evil Scrofula
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EDITORS COMMENTS
This print captures a significant moment in history - Charles II touching a patient for the King's evil. Created by artist Frederick-Hendrik van den Hove, this image depicts the ritual of laying on of hands, where French and English monarchs would touch their subjects to cure various diseases and conditions. The royal touch was particularly used to heal individuals suffering from scrofula, also known as tuberculous cervical lymphadenitis. During his reign, Charles II performed this ritual more frequently than any other English or French king. In fact, he touched over 92,000 scrofulous people during his time on the throne - an astonishing number of around 4,500 annually. This photograph transports us back to the 17th century when belief in the power of monarchy and faith played a vital role in healing practices. It reflects both the superstitions prevalent at that time and highlights how British society sought solace in their monarch's ability to alleviate sickness through touch. With its monochrome aesthetic adding depth and intensity to the scene, this print serves as a reminder of our historical roots while shedding light on concepts such as royalty, illness, healing rituals, and human beliefs. A truly remarkable piece capturing an intriguing chapter in Britain's past.
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