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Bust of Pope Innocent X, c1690, (1881). Creator: Bernard Collier
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Bust of Pope Innocent X, c1690, (1881). Creator: Bernard Collier
Bust of Pope Innocent X, c1690, (1881). Etching of a bronze portrait bust of Giambattista Pamphili, Innocent X (1574-1655), made posthumously by Domenico Guidi in Rome. The sculpture is based on an earlier terracotta model of 1650 by Alessandro Algardi, who was Guidis master. From " The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). [Sampson Low, Marston, Searle and Rivington, London, 1881]
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Media ID 19300669
© The Print Collector/Heritage Images
Alessandro Alessandro Algardi Bernard Bust Collier Domenico Giovanni Battista Giovanni Battista Pamphilj Innocent X Marston Museum Of Ornamental Art Pamphili Pope Pope Innocent X Sampson Low Searle And Rivington South Kensington Museum The South Kensington Museum V And A V And A Museum Victoria Albert Museum Victoria And Albert Museum Algardi Guidi Pamphilj Roman Catholicism
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EDITORS COMMENTS
This print showcases the exquisite "Bust of Pope Innocent X" created by Bernard Collier in 1881. The bust itself is a remarkable work of art, capturing the likeness of Giambattista Pamphili, also known as Innocent X, who served as Pope from 1644 to 1655. The sculpture is based on an earlier terracotta model crafted by Alessandro Algardi in 1650, under the guidance of Domenico Guidi. Guidi posthumously casted this bronze portrait bust in Rome around 1690, immortalizing the revered figure. Displayed within the pages of "The South Kensington Museum" a book dedicated to engraved illustrations and descriptions of artworks at London's Victoria & Albert Museum (formerly known as the South Kensington Museum), this image transports us back to both the seventeenth and nineteenth centuries. With its intricate details and masterful craftsmanship, this piece exemplifies Baroque artistry at its finest. It serves not only as a testament to religious devotion but also highlights Italy's rich cultural heritage during that era. Bernard Collier's etching beautifully captures every contour and expression on Pope Innocent X's face. This powerful representation invites viewers into a world where faith intersects with artistic brilliance. As we admire this photograph print today, we are reminded of how art can transcend time, allowing us to appreciate historical figures like Pope Innocent X while marveling at their enduring legacy.
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