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Bad Company, c1665. Artist: Jan Steen
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Bad Company, c1665. Artist: Jan Steen
Bad Company, c1665. Painting held in the Louvre, Paris. From A History of Painting, Volume V by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]
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Media ID 14963244
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Asleep Companionship Debauchery Drunk Drunkenness Fiddle Fiddler Game History Of Painting Jack Jan Havicksz Steen Jan Havickszoon Steen Jan Steen Louvre Messy Playing Cards Sleep Sleeping Steen Stringed Instrument Tc And Ec Tc And Ec Jack Untidy Violin Violin Player Violinist Pastime
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EDITORS COMMENTS
This print showcases Jan Steen's painting "Bad Company" from the 17th century, held in the prestigious Louvre Museum in Paris. The artwork, featured in Haldane MacFall's book "A History of Painting" offers a glimpse into a scene filled with vibrant characters and lively activities. In this bustling interior setting, we witness an intriguing mix of male and female figures engaged in various pastimes. A violinist passionately plays his instrument while others indulge in a game of cards or enjoy the company of their companions. The atmosphere is charged with energy as music fills the air and laughter echoes through the room. The artist masterfully captures the essence of debauchery and drunkenness prevalent during that time period. The untidy clothes and disheveled appearance suggest a night filled with revelry and merriment. Amidst all this chaos, one can spot a lady peacefully asleep, perhaps tired from participating in these late-night festivities. Steen's attention to detail is remarkable; every color and brushstroke adds depth to each character's personality. This print allows us to appreciate not only Steen's artistic brilliance but also provides insight into social dynamics during the 17th century. As we gaze upon this historical masterpiece, it serves as a reminder that art has always been intertwined with human experiences throughout centuries. It invites us to reflect on our own notions of companionship, leisure activities, and how they have evolved over time.
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