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Angelica tends the Wounds of Medor, c1757, (1928). Artist: Giovanni Battista Tiepolo
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Angelica tends the Wounds of Medor, c1757, (1928). Artist: Giovanni Battista Tiepolo
Angelica tends the Wounds of Medor, c1757, (1928). Angelica staunching the wounds of Medor. Pen with wash on white paper. Design for a fresco in the Villa Valmarana near Vicenza, Italy. Victoria & Albert Museum, London. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770), worked not only in Italy, but also in Germany and Spain. He was commissioned to carry out frescoes in churches and palaces, and was elected President of the Academy of Padua. As well as his large-scale majestic works, he also produced etchings and oil paintings, and is widely regarded as one of the most important artists of the period. Illustration from The Drawings of Giovanni Battista Tiepolo, Volume I, by Detlev Baron Von Hadeln. [The Pegasus Press, Paris, 1928]
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Media ID 15467721
© The Print Collector / Heritage-Images
Angelica Baron Detlev Von Baron Detlev Von Hadeln Detlev Detlev Baron Von Hadeln Detlev Von Hadeln Giambattista Giambattista Tiepolo Giovanni Battista Giovanni Battista Tiepolo Hadeln Injured Injury Tiepoli Tiepolo Von Hadeln Wash Wound Wounded
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EDITORS COMMENTS
This print captures the exquisite artwork titled "Angelica tends the Wounds of Medor" by Italian Venetian painter Giovanni Battista Tiepolo. Created in 1757, this particular print is from 1928 and showcases Angelica staunching the wounds of Medor. The design was originally intended for a fresco in the Villa Valmarana near Vicenza, Italy. Giovanni Battista Tiepolo was a highly esteemed artist who not only worked in Italy but also left his mark in Germany and Spain. Known for his large-scale majestic works, he was commissioned to create stunning frescoes for churches and palaces. In addition to his grand pieces, Tiepolo also produced etchings and oil paintings. Considered one of the most significant artists of his time, Tiepolo's talent shines through in this illustration. The attention to detail is evident as Angelica delicately tends to Medor's wounds with compassion and care. This print is part of a collection called "The Drawings of Giovanni Battista Tiepolo". Volume I by Detlev Baron Von Hadeln. It serves as a testament to Tiepolo's mastery as an artist during the 18th century. Displayed at the Victoria & Albert Museum in London, this piece allows viewers to appreciate both its mythological subject matter and its artistic brilliance.
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