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Adam and Eve, 1520-1525, (1943). Creator: Jan Gossaert

Adam and Eve, 1520-1525, (1943). Creator: Jan Gossaert


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Adam and Eve, 1520-1525, (1943). Creator: Jan Gossaert

Adam and Eve, 1520-1525, (1943). Adam and Eve under the Tree of Knowledge in the Garden of Eden. Drawing in the Albertina Museum, Vienna. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings), by Bernhard Degenhart. [Atlantis-Verlag Berlin, Zurich, 1943]

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Media ID 19066103

© The Print Collector/Heritage Images

Adam And Eve Apple Apples Bernhard Bernhard Degenhart Charcoal Degenhart Europaische Handzeichnungen Garden Of Eden Gossaert Jan Gossaert Jan Mabuse Jean Gossaert Jennyn Van Hainaut Jennyn Van Hennegouwe Lovers Mabuse Maubeuge Tree Of Knowledge Barefoot


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> Animals > Insects > Spiders > European Garden

> Animals > Mammals > Muridae > Fortior

> Arts > Art Movements > Renaissance Art

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Historic > Renaissance art > Religious themes in renaissance art

> Historic > Renaissance art

> Renaissance art


EDITORS COMMENTS
This print showcases Jan Gossaert's masterpiece, "Adam and Eve" from 1520-1525. The image captures the iconic biblical scene of Adam and Eve standing beneath the Tree of Knowledge in the enchanting Garden of Eden. This drawing, housed in the prestigious Albertina Museum in Vienna, is a true testament to Gossaert's artistic brilliance. The monochrome composition brings out every intricate detail of this Renaissance artwork. With delicate strokes of chalk, charcoal, and ink, Gossaert beautifully depicts the naked figures of Adam and Eve amidst lush foliage. Their barefoot presence emphasizes their connection with nature while symbolizing innocence before succumbing to temptation. As one gazes upon this piece, it becomes evident that Gossaert masterfully portrays not only physical beauty but also emotional depth. The couple's expressions convey a mix of curiosity, vulnerability, and longing as they reach for the forbidden fruit—an apple—hanging tantalizingly from a branch above them. This artwork transcends time by merging elements from both the 16th century when it was created and its rediscovery in the 20th century during World War II. Bernhard Degenhart's book "Europaische Handzeichnungen" further immortalizes this remarkable drawing by featuring it alongside other European drawings spanning five centuries. In essence, this print serves as a powerful reminder of humanity's eternal struggle between desire and obedience within religious contexts—a timeless theme that continues to resonate with viewers today.

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