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THE TROLLOPE FAMILY, 1832. The Trollope Family. American cartoon, 1832, satirizing Mrs Frances Trollope, her daughters, and the artist Auguste Hervieu following the publication of Domestic Manners of the Americans
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THE TROLLOPE FAMILY, 1832. The Trollope Family. American cartoon, 1832, satirizing Mrs Frances Trollope, her daughters, and the artist Auguste Hervieu following the publication of Domestic Manners of the Americans
THE TROLLOPE FAMILY, 1832.
The Trollope Family. American cartoon, 1832, satirizing Mrs Frances Trollope, her daughters, and the artist Auguste Hervieu following the publication of Domestic Manners of the Americans
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Media ID 7596287
1832 Daughter Domestic Manners Of The America Domestic Manners Of The Americans Family Francis Leisure Mother Novelist Paint Brush Palette Satire Sister Trollope
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The Trollope Family, 1832 - A Satirical Glimpse into Transatlantic Relations
EDITORS COMMENTS
. This intriguing print captures an American cartoon from 1832, skillfully satirizing the renowned English novelist Mrs. Frances Trollope and her family. Depicted in this artwork are Mrs. Trollope herself, her daughters, and the artist Auguste Hervieu. The inspiration for this caricature stems from the publication of Mrs. Trollope's controversial book "Domestic Manners of the Americans" which shed light on her observations and criticisms of American society. In this comical scene, we see a group portrait showcasing each family member engaged in various leisure activities that reflect their personalities and roles within society. Mrs. Trollope is portrayed as a sophisticated woman holding a paintbrush and palette, symbolizing her artistic endeavors as well as her role as a mother guiding her daughters' education. The daughters are depicted with playful expressions; one holds a novel while another wields a paintbrush alongside their mother—a nod to their literary aspirations or perhaps mocking them for following in their mother's footsteps. Auguste Hervieu himself appears amidst the family dynamic, capturing this moment through his artistry while also being playfully included in the satire. This image not only offers us insight into early 19th-century transatlantic relations but also serves as evidence of how literature can shape public opinion and inspire artistic responses across borders. It invites us to ponder upon societal perceptions
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