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The Earth as the center of the universe, surrounded by the 12 wind gods. Woodcut by Albrecht Durer from Willibald Pirkheimers translation of Ptolemy, Geographicae enarrationes, published, 1525, by Johann Gruninger in Strassburg, Germany

The Earth as the center of the universe, surrounded by the 12 wind gods. Woodcut by Albrecht Durer from Willibald Pirkheimers translation of Ptolemy, Geographicae enarrationes, published, 1525, by Johann Gruninger in Strassburg, Germany


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The Earth as the center of the universe, surrounded by the 12 wind gods. Woodcut by Albrecht Durer from Willibald Pirkheimers translation of Ptolemy, Geographicae enarrationes, published, 1525, by Johann Gruninger in Strassburg, Germany

PTOLEMAIC UNIVERSE, 1525.
The Earth as the center of the universe, surrounded by the 12 wind gods. Woodcut by Albrecht Durer from Willibald Pirkheimers translation of Ptolemy, Geographicae enarrationes, published, 1525, by Johann Gruninger in Strassburg, Germany

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 10505615

1525 Albrecht Celestial Sphere Center Claudius Cosmology Diagram Durer Hellenic Republic Johan Planet Ptolemaic Ptolemy Symbol Theory Wind World Pirkheimer Willibald


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EDITORS COMMENTS
This woodcut print by Albrecht Durer, dating back to 1525, offers a glimpse into the cosmological beliefs of the Renaissance era. Titled "The Earth as the center of the universe, surrounded by the 12 wind gods" it presents a visual representation of Ptolemy's geocentric theory. In this intricate illustration, we see our planet positioned at the heart of the celestial sphere. The Earth is depicted as an orb adorned with various symbols and markings representing its significance in medieval cosmology. Surrounding it are twelve wind gods, each personifying a different direction and associated with specific weather patterns. Durer's meticulous attention to detail brings this ancient belief system to life. The delicate lines and shading showcase his artistic skill while also conveying a sense of reverence for these Hellenic ideas that shaped medieval understanding of our world. Published in Strassburg, Germany by Johann Gruninger, this woodcut was part of Willibald Pirkheimer's translation of Ptolemy's Geographicae enarrationes. It serves as both an educational tool and a testament to humanity's quest for knowledge during that period. As we gaze upon this remarkable piece from centuries past, we are reminded not only of how far our understanding has evolved but also how important it is to appreciate historical perspectives on science and philosophy.

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