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This man may be set free and released! He is no longer dangerous. Louis-Philippe as a doctor talking to Gisquet, Chief of Police, at the bedside of a Republican who died in prison. Lithograph cartoon, 1834, by Honore Daumier
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This man may be set free and released! He is no longer dangerous. Louis-Philippe as a doctor talking to Gisquet, Chief of Police, at the bedside of a Republican who died in prison. Lithograph cartoon, 1834, by Honore Daumier
DAUMIER: REPUBLICAN, 1834.
This man may be set free and released! He is no longer dangerous. Louis-Philippe as a doctor talking to Gisquet, Chief of Police, at the bedside of a Republican who died in prison. Lithograph cartoon, 1834, by Honore Daumier
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Media ID 8864269
1834 Chief Corpse Daumier Dead Deathbed Doctor Honore Illness Louis Paris Parisian Patient Philipe Police Politics Prison Prisoner Punishment Republican Party
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EDITORS COMMENTS
In this powerful lithograph cartoon by Honore Daumier, we witness a poignant scene that encapsulates the political climate of 1834 Paris. The image depicts Louis-Philippe, the reigning monarch at the time, assuming the role of a doctor as he converses with Gisquet, Chief of Police. They stand beside the deathbed of a Republican prisoner who tragically perished while incarcerated. The caption suggests that there is hope for justice and freedom as Louis-Philippe contemplates releasing this man posthumously, deeming him no longer dangerous. This decision signifies a potential shift in power dynamics and an acknowledgment of past injustices committed against political dissidents. Daumier's artistry brilliantly captures the somber atmosphere within this prison cell turned makeshift hospital room. The patient lies motionless on his bed, symbolizing both his physical illness and metaphorical imprisonment under an oppressive regime. This lithograph serves as a scathing critique of politics during that era and highlights Daumier's talent for using satire to convey social commentary. Through his masterful strokes, he exposes corruption within law enforcement and challenges societal norms surrounding punishment and human rights. As viewers gaze upon this artwork from 1834, they are transported back in time to witness not only one man's tragic fate but also to reflect on broader themes such as power struggles, injustice, and the resilience of those fighting for their beliefs.
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