CHURCH / STATE CARTOON, 1870. One of Thomas Nasts vitriolic comments on the separation between Church (i. e. the Roman Catholic church) and State: wood engraving, 1870
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CHURCH / STATE CARTOON, 1870. One of Thomas Nasts vitriolic comments on the separation between Church (i. e. the Roman Catholic church) and State: wood engraving, 1870
CHURCH/STATE CARTOON, 1870.
One of Thomas Nasts vitriolic comments on the separation between Church (i.e. the Roman Catholic church) and State: wood engraving, 1870
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Media ID 7537309
1870 Anti Catholicism Catholic Church Discrimination Nast Political Acts
CHURCH / STATE CARTOON, 1870 - A Powerful Satire on the Separation of Church and State
EDITORS COMMENTS
. This wood engraving from 1870 by Thomas Nast offers a scathing commentary on the delicate relationship between Church (specifically the Roman Catholic church) and State. Known for his biting political cartoons, Nast uses this artwork to express his strong views on the subject. In this thought-provoking image, Nast highlights the potential dangers of religious influence in politics. The cartoon depicts a towering figure representing the Roman Catholic church looming over a diminutive figure symbolizing the State. The exaggerated size difference serves as a visual representation of how religion can overpower governmental authority if not kept separate. Nast's vitriolic critique is evident through his meticulous attention to detail. He portrays various discriminatory acts committed by individuals associated with the church against those who do not adhere to their beliefs. By illustrating these instances, he aims to shed light on what he perceives as an infringement upon individual freedoms and rights. The historical context surrounding this piece further adds depth to its significance. During this period, anti-Catholic sentiments were prevalent in American society, fueled by fears of foreign influence and cultural clashes. Nast's work reflects these anxieties while also challenging them through artistic expression. Overall, "CHURCH / STATE CARTOON" stands as a testament to Thomas Nast's talent for using art as a medium for social commentary. Its enduring relevance reminds us of ongoing
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