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LONDON PRESS, 1875. Tom Thumb the Great! English cartoon by Sir John Tenniel
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LONDON PRESS, 1875. Tom Thumb the Great! English cartoon by Sir John Tenniel
LONDON PRESS, 1875.
Tom Thumb the Great! English cartoon by Sir John Tenniel, 1875, on the summoning of the printers of the London Times and Daily News to the Bar of the House, to answer charges of violating parliamentary privilege in publishing evidence presented to the Foreign Loans committee, at the instigation of member C. Lewis
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Media ID 12234431
1875 Bound Chain Chained Clock Crown Entertainment Face Helmet House Of Commons Journalism London Membership Political Press Printmaker Publisher Sandal Satire Shackle Summons Sword Tenniel Times Tom Thumb Top Hat Victorian Daily News Enchained Privilege
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The print titled "LONDON PRESS, 1875. Tom Thumb the Great! English cartoon by Sir John Tenniel" captures a significant moment in British history. In this satirical illustration, we witness the summoning of the printers of the London Times and Daily News to the Bar of the House. The publishers are being held accountable for allegedly violating parliamentary privilege by publishing evidence presented to the Foreign Loans committee. Created by renowned artist Sir John Tenniel in 1875, this cartoon showcases his exceptional talent for political satire during Victorian times. The image features a group of men with distinctive facial hair and attire, including top hats and beards, symbolizing their membership within London's journalism industry. Amidst a late-night setting, these publishers find themselves bound and enchained with shackles as they face accusations from member C. Lewis. A clock on the wall reminds us that time is running out for them to defend their actions before Parliament. This thought-provoking artwork not only highlights issues surrounding press freedom but also serves as an entertaining piece that reflects societal attitudes towards power dynamics during that era. As viewers engage with this historical snapshot captured by Granger Art on Demand, they are transported back to a pivotal moment in London's journalistic landscape where accountability clashed with privilege at the highest levels of government.
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