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John Wilkes Booth, with knife rather than a gun, leaps from President Abraham Lincolns box at Fords Theater, to escape after assassinating Lincoln. Painting attributed to Eastman Johnson, 19th century
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John Wilkes Booth, with knife rather than a gun, leaps from President Abraham Lincolns box at Fords Theater, to escape after assassinating Lincoln. Painting attributed to Eastman Johnson, 19th century
LINCOLN ASSASSINATION.
John Wilkes Booth, with knife rather than a gun, leaps from President Abraham Lincolns box at Fords Theater, to escape after assassinating Lincoln. Painting attributed to Eastman Johnson, 19th century
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Media ID 7777941
1865 Abraham Assassin Assassination Balcony Booth Crime Curtain Death Eastman Escape Johnson Knife Leap Lincoln Mary Stabbing Theater Todd Washington Wife Wilkes
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This print captures the intense moment of John Wilkes Booth's daring escape after assassinating President Abraham Lincoln. In a twist of historical accuracy, Booth is depicted wielding a knife instead of his infamous gun as he leaps from President Lincoln's box at Ford's Theater. The painting, attributed to Eastman Johnson in the 19th century, showcases the artist's skill in capturing the dramatic tension and chaos that unfolded on that fateful night. The interior setting of the theater is brought to life with intricate details such as the elegant curtain backdrop and balcony railing. As Booth makes his desperate leap towards freedom, one cannot help but feel a sense of trepidation and disbelief at this audacious act committed by an American citizen. Amidst this chaotic scene, we catch glimpses of Mary Todd Lincoln, wife of the slain president, who witnesses her husband's assassination with horror etched across her face. Men around her react with shock and confusion while others scramble to apprehend Booth before he can vanish into thin air. This historic artwork serves as a haunting reminder of one of America's darkest moments - an act that forever changed the course of history. It invites us to reflect upon themes such as power, tragedy, crime, and ultimately reminds us how fragile our democracy can be even in its most sacred spaces.
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