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1ST BARON OF RAGLAN (1788-1855). Fitzroy James Henry Somerset. English field marshall. Line and stipple engraving, English, 19th century

1ST BARON OF RAGLAN (1788-1855). Fitzroy James Henry Somerset. English field marshall. Line and stipple engraving, English, 19th century


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1ST BARON OF RAGLAN (1788-1855). Fitzroy James Henry Somerset. English field marshall. Line and stipple engraving, English, 19th century

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7535233

Amputee Baron Epaulette Henri Lord Marshal Noble Man Somerset Fitz Roy Raglan


EDITORS COMMENTS
This print showcases the distinguished figure of 1ST BARON OF RAGLAN, Fitzroy James Henry Somerset. As an English field marshal, his commanding presence is beautifully captured in this line and stipple engraving from the 19th century. The image portrays Lord Raglan in his resplendent uniform, adorned with intricate details such as epaulettes that symbolize his high rank and noble status. His amputated arm serves as a testament to the sacrifices he made while serving his country. With a gaze that exudes strength and determination, Lord Raglan stands tall amidst a backdrop that hints at England's rich history. The attention to detail in this engraving reflects both the skill of the artist and the importance of commemorating influential figures like Fitzroy James Henry Somerset. This artwork not only pays homage to a remarkable individual but also provides us with a glimpse into 19th-century England - its fashion, its military tradition, and its social hierarchy. It invites us to explore the stories behind these historical artifacts and appreciate their significance in shaping our world today. As part of The Granger Collection's vast collection of art prints, this piece offers viewers an opportunity to connect with history through visual storytelling. Whether displayed in homes or educational institutions, it serves as a reminder of those who have left indelible marks on our collective memory.

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