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Andreas Prints
With the sun at the center; Copernicus appears at lower right and Ptolemy at lower left
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Woodcut from the first book of Andreas Vesalius De Humani Corporis Fabrica
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LEOPOLD MOZART (1719-1787). German violinist
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PTOLEMAIC UNIVERSE, 1660
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COPERNICAN UNIVERSE, 1660. Copernican map of the Universe
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CELESTIAL PLANISPHERE, 1660. Schillers Christianized Heaven, southern hemisphere
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ALTHAMER: TITLE PAGE, 1527. Title page for the published notes on the letters of St
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ANDREAS VESALIUS (1514-1564). Belgian anatomist
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PRINCE A. K. RASUMOWSKY (1752-1836)
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ANDREAS HOFER (1767-1810). Tyrolean patriot. Line engraving, German, 19th century
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URANIA & ASTRONOMERS, 1660. Tycho Brahe, Ptolemy, St. Augustine, Nicolaus Copernicus
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MERMAID, 1542. Mermaid. Woodcut from Alciatis Emblemata, mid 16th century
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The fifth plate of the muscles
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Dissection of the brain (fig. 8)
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The anterior aspect of the bones of the human body articulated together
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Lateral view of the human skeletal system: woodcut from the first book of Andreas Vesalius De Humani Corporis Fabrica
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Genitalia of a human female. Woodcut from Andreas Vesalius De Humani Corporis Fabrica
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Dissection of the brain (fig. 5)
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Right side view of the brain and cerebellum
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(Figure 2). Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica
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The topography of the viscera in the female human body
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Delineation of the spinal nerves
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The base of the entire brain
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Dissection of the brain (fig. 6)
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Dissection of the brain (fig. 9)
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Third Plate of the Muscles: colored woodcut from the second book of Andreas Vesalius De Humani Corporis Fabrica
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The first plate of the muscles
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(Figure 12). Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica
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The fourth plate of the muscles
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Woodcut from the third book of Andreas Vesalius De Humani Corporis Fabrica
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Woodcut from the first book of Andreas Vesalius De Humani Corporis Fabrica
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The tenth plate of the muscles
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Urogenital system of the human female
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Dissection of the Cranium. Colored woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica
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Woodcut of a human liver from the third book of Andreas Vesalius De Humani Corporis Fabrica
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The uterus of the human female
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Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica
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(Figure 1). Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica
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Woodcut from the second book of Andreas Vesalius De Humani Corporis Fabrica
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Dissection of the brain (fig. 4)
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Woodcut from the sixth book of Andreas Vesalius De Humani Corporis Fabrica
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Third plate of muscles. Woodcut from the Epitome of Andreas Vesalius De Humani Corporis Fabrica
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The twelfth plate of the muscles
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Dissection of the brain (fig. 3)
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Eleventh plate of Muscles. Woodcut from the second book of Andreas Vesalius De Humani Corporis Fabrica
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Woodcut disproving the then current notion that the pelvis of the kidney was divided by a sieve or filter E
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Second plate of the Muscles. Color woodcut from the second book of Andreas Vesalius De Humani Corporis Fabrica
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Dissection of the brain (fig. 7)
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Posterior aspect of the spinal nerves
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Woodcut from the fourth book of Andreas Vesalius De Humani Corporis Fabrica
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First Plate of the Muscles: colored woodcut from the second book of Andreas Vesalius De Humani Corporis Fabrica
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Second figure of muscles. Woodcut from the Epitome of Andreas Vesalius De Humani Corporis Fabrica
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Second plate of Muscles. Woodcut from the second book of Andreas Vesalius De Humani Corporis Fabrica
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Belgian anatomist. Wood engraving, 19th century
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Woodcut from the Epitome of Andreas Vesalius De Humani Corporis Fabrica
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Belgian anatomist. Steel engraving, English, 1840
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Woodcut title page to the second edition of Andreas Vesalius De Humani Corporis Fabrica
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The death of King Henry II of France in 1559, with the physicians Ambroise Par
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King Henri II mortally wounded in a joust, attended by Ambroise Par
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Andreas Vesalius (1514-1564) teaching anatomy
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GERMANY: QUILTING, c1700. Scene in a German needlework school
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ANDREAS VESALIUS (1514-1564). Belgian anatomist. Engraving, Flemish, 1695
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MAP OF THE UNIVERSE, 1660
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THE HAPPY WARRIOR, 1925. Andreas Randolph
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